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  | | Full of Secrets(25th Edition) Critical Approaches to Twin Peaks (Contemporary Approaches to Film and Media Series) by David Lavery, Christy Desmet, Marc Dolan, Alice Kuzniar, Diane Stevenson, Jonathan Rosenbaum, Kathryn Kalinak, Professor Henry Jenkins, Diana Hume George, Professor Martha Nochimson, James M. Welsh, Jimmie L. Reeves, Professor Angela Hague, J. P. Telotte, Angela Hague, Henry Jenkins, Martha Nochimson, Professor David Lavery Paperback, 296 Pages, Published 1994 by Wayne State University Press ISBN-13: 978-0-8143-2506-3, ISBN: 0-8143-2506-8 "However, it isn't truly right for television, a medium that by nature deflates the dualism of the orthodox detective through its unorthodox normalization of shifts and slippage — and thus its normalization of the vicissitudes of the flesh.3 The popularity of Dale Cooper is a tacit admission that on a visceral level the television audience knows how wrong the traditional detective is in that medium. As we shall see, Dale Cooper made ..." |
 | | Mob Culture Hidden Histories of the American Gangster Film by Lee Grieveson, Esther Sonnet, Peter Stanfield, Giorgio Bertellini, Richard Maltby, Ronald Wilson, Mary Elizabeth Strunk, Martha Nochimson, Jonathan Munby Hardcover, 326 Pages, Published 2005 by Rutgers University Press ISBN-13: 978-0-8135-3556-2, ISBN: 0-8135-3556-5 "Grouped into three thematic sections, the essays examine gangster films through the lens of social, gender, and racial/ethnic issues." |
 | | The Passion of David Lynch Wild at Heart in Hollywood by Martha Nochimson Published 1997 ISBN-13: 978-0-585-26500-1, ISBN: 0-585-26500-3 |
 | | No End to Her Soap Opera and the Female Subject by Martha Nochimson Published 1993 ISBN-13: 978-0-520-91241-0, ISBN: 0-520-91241-1 |
 | | The Passion of David Lynch(1st Edition) Wild at Heart in Hollywood by Martha P. Nochimson Paperback, 288 Pages, Published 1997 by University Of Texas Press ISBN-13: 978-0-292-75565-9, ISBN: 0-292-75565-1 "Filmmaker David Lynch asserts that when he is directing, ninety percent of the time he doesn't know what he is doing. To understand Lynch's films, Martha Nochimson believes, requires a similar method of being open to the subconscious, of resisting the logical reductiveness of language. In this innovative book, she draws on these strategies to offer close readings of Lynch's films, informed by unprecedented, in-depth interviews with Lync ..." |