"However, it isn't truly right for television, a medium that by nature deflates the
dualism of the orthodox detective through its unorthodox normalization of shifts
and slippage — and thus its normalization of the vicissitudes of the flesh.3 The
popularity of Dale Cooper is a tacit admission that on a visceral level the
television audience knows how wrong the traditional detective is in that medium.
As we shall see, Dale Cooper made ..."
"The X-Files has taken Britain and America by storm. Deny All Knowledge examines why the series is such a success at this time in our history, and asks whether its conspiracy plot provides an indication of the political state of America."
Iris Murdoch's Comic Vision by AngelaHague Hardcover, 168 Pages, Published 1984 by Associated University Press ISBN-13: 978-0-941664-00-4, ISBN: 0-941664-00-7
"60. Iris Murdoch, The Bell (Sew York: Viking Press, 1958), pp. 203-4. 61. I Icilman
, The Ways of the World, p. 247. Chapter 3: The Comedy of Contingency in An
Accidental Man 15. Margaret Scanlon, "The Machinery of Pain: Romantic
Suffering in. 1. Frank Kermode, "The I louse of Fiction: Interviews with Seven En-
glish Novelists," Partisan Review 30 (1963): 64. 2. Ronald Brvden, "Talking to Iris
Murdoch," The Listener, 4 April 1968, p ..."
"Umberto Eco once observed that parody "must never be afraid of going too far. If its aim is true, it simply heralds what others will later produce, unblushing, with impassive and assertive gravity." In a cautionary attempt to dissuade those who may be tempted, Teleparody fearlessly does go too far in its compilation of reviews of not-yet-existing, but all-too-possible contributions to television studies. In the tradition of Mad Magazine ..."
Teleparody Predicting - Preventing the TV Discourse of Tomorrow by AngelaHague, David Lavery Paperback, 192 Pages, Published 2002 by Columbia University Press ISBN-13: 978-1-903364-39-0, ISBN: 1-903364-39-6
"Umberto Eco once observed that parody "must never be afraid of going too far. If its aim is true, it simply heralds what others will later produce, unblushing, with impassive and assertive gravity." In a cautionary attempt to dissuade those who may be tempted, "Teleparody" fearlessly does go too far in its compilation of reviews of not-yet-existing, but all-too-possible contributions to television studies. In the tradition of "Mad Magaz ..."